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sherko
22 juin 2012

THE SEMITIC

http://zogarok.wordpress.com/2012/04/18/lantisemite/

 

A fuzzy context


3sur5 A week ago, Dieudonné was called before Justice by Licra for his film shown in previews January 15 and accessible to subscribers of its site since March 23. Repressed throughout the West, funded by Iran, bringing together actors without hopes careerists, The Anti-Semite personified Death and the Holocaust, features the guest Faurisson as himself and built a frame around the adventures, or direct mises en abyme, a character's alcoholic, Holocaust denier and antisemite. These defects are also the reasons given by Licra.

First, it is certain that the anti-Semite would have scored impressive box office and that his conviction, even before the project is realized, as many had assumed that strategic (security operation and maintenance of public order and happiness of citizens, will probably say the fellow Malek Boutih or Alain Jakubowicz). A popular success would have precipitated awareness for some, the recognition by others, the phenomenon of protest and frustration that Dieudonné channels; its presence may contain more minds that it's hot. For example, some projections of Dieudonné serve as an outlet when his Theatre of the hand-d'Or, and unofficial headquarters temple of anti-Zionism, has become a space of expression for certain audiences including poor or inaudible. Certainly, the relative social peace is more to songwriters, artists or polemicists (this is not a new fact) as Dieudonne, who are sometimes spokespersons or icons in spite of themselves, only opportunistic associations ( necessarily vile if one takes into account their commitments).

 

The movie itself: a semi-disappointment
The Anti-Semite is not looking for nuance or rehabilitation, he could not care less. In a fit man to heroism, Dieudonne sweeps all the criticism in the introduction to his film (evocation of the Holocaust in black and white), or it joyfully wallows in all the pitfalls, combines all the most gags " politically "inadmissible. The Anti-Semite can therefore begin and exist for good and for himself, and if Dieudonné outrageous, aficionados will probably be disappointed overall. Not that the spirit of the shows is absent, but we are a tone below the bomb and subversive, if it is offensive, while a trifle rough.

Not surprisingly, portrays the character-Dieudonne mirror glimpsed in the trailer. It is a kind of Bernard Frederick of Podium, a thousand times more trash, but with the same rigidity in the burlesque hero. Except that the movie promised by the trailer fades into another, so the anti-Semite is a compilation of excerpts from filming a fake of a fake, or a star Dieudonné is respected and welcomed to design a project- measurement. The Dieudonne multiple (on screen) and share the same traits, hysterical, paranoid, everyone sees the Freemasons everywhere, mix all that goes under the nose or eyes, like conspiracy theorists most wacky or uncultivated.

On arrival, it is a festival of vignettes more or less daring or transgressive, but sealed by an excessive confidence in the inspiration and talent, perhaps even a form of impasto. Dramaturgy that is despised is not the problem, which is the method adopted and achieved its objectives. But there are no flights or shots-grand d'éclats (except for some symbols, creative enough for that matter), so that the best of The Anti-Semite is contained in its opening minutes, with the monumental monologue in nazillon goguettes , that is to say when it looks like a "real" movie (understanding simple and structured, of those who do not confuse real levels immediately). The second part is even rather clumsy, poor see as redundant. All this may indicate that Dieudonné, not only evolve in a closed circuit, but in addition has exhausted the vein (this would be a breaking point for the latest videos were still as bright and full of gimmicks freshly prepared). Or maybe there he was self-limiting. Indeed, the triviality eventually lead to the need to accompany (to generic, fast and funny at first limited), how to gag this old redneck stuck on homosexuality which eventually wear out.

This is a series of anarchic schoolboy sketches, this is handmade, good practice in child and reckless if not indecent intent, or a shop will draw fans and curious (and there the matter). Appreciate the more sophisticated delivery by producer Alain Soral Jewish, atheist and a little fascist on the edges; a borderline character that suits him perfectly (it is the revenge of the entertainment, infested with Zionist and crazy - he proclaims at first as the last stage). The Anti-Semite can be considered as a kind of bonus to a gargantuan work and enjoyable ... while it would have been able to be a delicacy. But we must say that, ideologically, Dieudonné has perhaps greatest thing to break (at the level of serious or critical concepts) as it reached the stratosphere of the underground geo-politics. After all, Dieudonné had no help, no room, no network to make his film, so it is natural that the anti-Semite is not a movie but a perfect creature degenerate.

 

The iconoclastic independent
Those who have followed the news of the film through the controversies that have accompanied and enabled workers to feed Licra be encountered (because they are conditioned for this purpose) but not surprised. The surprise will be liars and hypocrites; the shocked / scandalized (on order? Control of what?) Conformists or drama queens in need of self-righteousness and recognition of any humanistic or civic consciousness.

At this time, Dieudonné is the largest seller of tickets for shows, in general indifference. To say that the typical person who just emerged from an artificial world, or has forgotten the existence of the man who calls himself a "humorous branch of al-Qaida" or has cataloged the former icon lost view forever. However, non seukement Dieudonne continues to support herself, but also to live in the midst of a society that has ostracized and deny or fight without knowing why. Paradox is perhaps the man holed up in trenches that is the freest of all, at least to him his castle is one of the most fulfilled, awakened and visited, even though it s' burden on any person, by any way or any major propaganda strategy.

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