THE AMAZING SPIDER-MAN **

3sur5 It took a fourth album but the studio Sony could extend the Sam Raimi trilogy, thus losing the opportunity to tap a vein whose rights will be exhausted in a few years.While the project has become a reboot: same hero, same story, new cast, new genesis and perhaps a new approach?
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Moviegoers have yelled scandal are then pinched nose when all others would enjoy, without much predict where they put their feet, the new Spider-Man. Of course, the revival is premature, Spider-Man 1 came out ten years ago. But although the grace of Spider-Man 2 is not there, The Amazing blockbuster is an honest, engaging and rhythmic.
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Bis-style luxury Raimi was a teen-movie subtitué refined, subtle blending romance and action compelling backdrop of revenge and clashes ambiguous tied in the shade. Marc Webb (500 Days) uses revenue and classic portraits, assuming the sheriff stepfather more conciliatory, the evil sorcerer before wise visionary scientist (version insipid Green Goblin in the first Spider-Man).
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Attractive aspects frivolous and playful, Amazing is also in his painting of interpersonal relationships. The surprise in this warmth radiating at all times. It's a double-edged sword: if the characters are endearing, they irritate too, as these are surrogate parents despairing old father-of-moral and brave aunt tears. Unable to raise, she forgives him everything, he pursues without ever trying to understand it, to consider it as something other than gasoline and dissipated by offspring to go straight.
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Despite himself, because it creates a strong empathy towards him, blockbuster portrays the deep and generous, but ultimately downright acid, grandfather of Peter Parker. This ultra-reactionary guardian although modest condition is obtuse caricature of loose stashed behind a stoicism vibrant and moral conformism skull too exaggerated not to flirt with deception. He missed his life, knows nothing, but he has responsibilities and he is. Moreover, when receiving a ball, it's because he had to intervene when someone tossed it without know why. Fulminant shadow, a faded total bearable in its frame, but easily spoil the show if Hollywood is poured too much on its raison d'être.
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What is missing? Mythology. Marc Webb plays the normality of his hero, like the other teen, a little buffeted by life, impulsive and rather banal, see transparent in his school.He knows the correspondence between its teenage angst and his new mask, it also considers the whole libidinal compensation that it provides. Thus we see a new Spider-Man enjoying his powers while remaining a brat, within reasonable and nice. At the corner of some sequences, he plays in the city, gambling laws while maintaining public order. We share his dream.
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Amazing but rather bloated and left when it comes to staging face-to-face titanic.Despite fighting stimulants, high lyricism, it lacks a Homeric breath. We need more depth in plots to take both gravity and candor mixed. In addition, in conjunction with its wealth naturalistic context Hollywood fails to wring the movie lacks intensity on key aspects of Spider Man. There is no such wicked sacred, but just a lot of minor additives, able to return their jackets. On this point, is psychologically Amazing reduced and schematic in the balance of power established.
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It is easily infatuated film, as it shows that we humans, but there is no real increase in the ring from the superheroes. As it stands, this is a work of scenes, even when the monsters are on stage. Thus, the film weaves an intimate connection with his audience, when the trilogy was already reflected in lubbies most trivial (the sideshow) and unconscious (the identity anxieties of Tobey Maguire, far more agitated than his replacement).
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This is a cool show, cool positively despite its limitations, but it is not iconic film, because he forgot the mythical dimension of his subject in favor of romantic inclinations and the establishment of a close between the hero and the "young" mainstream. Bet required assumed and succeeded. Off topic but betting enthusiasts for Spider Man, who came to see something other than a noisy entertainment, be it sincere and delicate.
Overall Rating 59
 
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→ MBTI: Sam Raimi's trilogy put forward an INTP rifle (6W5 integrated 9) hero profile perfectly "geek." Spider-Man Marc Webb turned into INFP (9W1 integrated 3). In both cases, INP, on "bullied" before their existence and their supernatural revelation.
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