LOOPER ***

4sur5 Bruce Willis against his former him which he lectured, we have already seen, it was Die Hard 4. The context is more ambitious and complex here, the discourse on fate, fatalism, assumed more and less narrow than in the disastrous comeback John McClane. Exercise in style, a kind of narrative puzzle, Looper alter ego confronts a future refugee, but just for a stopover, in this his counterpart. Or vice versa. For two hours, the loops of time will be the pretext for fun getaways, and curiously intense sensory.
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Looper can be confusing, it seems to operate three times a second part insane and refined to a final intimate and drier, which involved a female beautiful, with a corridor between the two joint made developed, doubts and risk-taking for the hero. The plot is dense but always clear, pure action is never hindered, the feeling of reprieve characters never give up. It has the feeling of attending a show thoughtful and calculated that the entire system is used to soften both the essence of the genre references and great-popular show.
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In fact, the script is impressive and clearly the result of extensive construction there is an ingenious labyrinth where time and space. Reasoning will report sales especially clean equipment to build a saga, adaptable to the general public today, more fond and packed with intrigue SF tortured while enjoying a true stylistic identity and especially the wealth writing specific film Rian Johnson.
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This is particularly salient singularity channeled just a very human needs in perfect balance between triviality and engineering. Johnson especially intelligence and instinct to understand that civilization is subject to these needs, and not vice versa (and especially he knows what it mean). Or just while in the latter case, this is where the discomfort, depression and emptiness; open black pages.

Overall Rating 71