LANA DEL REY - BLUE VELVET ****

Titling of Tony Bennett (early 50s) in the new season of H & M, which Lana del Rey is the new face. It will return on November 12 with the reissue of his album Born to Die, improved original compositions.

Purists regret that this obvious homage to Lynch, violence and animosity have disappeared. This is an edited version, playing its formal perfection, static and virginal, to provide "arty" stamp and maybe even "underground" to a brand if it is based on the extension of its luxury or reproduction overrated but decent, singularly lacking in charm and inventiveness.

Everything is built here by the legendary Blue Velvet Lynch: either by tracing with a deceptively awkward fidelity and reiterating how "light". The angora sweater Sandy, which she wears caresses nobody gives him a Dennis reformed neat and liabilities, but the bliss otherwise sobering and a hypnotized and willing audience, but whose forms have melted and reflect. Only Dorothy seems to have completely disappeared under a new skin, while Jeffrey is a nice sensitive foam escaped without knowing a post-industrial Quarrel online.

References are sweeping up the room "mystery" of Twin Peaks and the dwarf tumbling to break the harmony (but in a gesture reminiscent again a key moment in the 1987 movie). Shame that Lana del Rey pouts forces in response to it. His attitude tends to break opacity and dreamlike perfectly orchestrated the preceding time.

Note that the clip also evokes, perhaps in spite of himself, The Marriage of Eva Braun, or a chic and stoic environment, a woman's place was channeling a kind of despair lucid about his identity.