BOULE & BILL *

1sur5 My condolences to the family of Jean Roba , the author of Boule & Bill, that it was perhaps the only one to believe that a little romanticized representation of the development of BD . Sorry as it is represented as a kind of bawdy tribe ( very) small middle class. However, it should be noted that if the adaptation is poor , there is no drama : yes it is void in shit bricks. But it does not matter . We're a little shocked at first but for some it is accused , it becomes tolerable , you may even find genuine amusement at this dung which incidentally has the honesty to reveal the outset and never attempt any ambition could ever so slightly exceed it.

The biggest misfires Boule & Bill takes naturally to the use of voice-over dog . Its use is not even within the redneck brutal to Eddie Murphy : It is entirely sloppy and cheesy, reaching just to deliver a " comment" on its direct condition Bill. The dog pours down spontaneously and the flow of his feelings any , the authors have not thought for a moment to strike a dramatic effect , or to infuse a single specific regard to their alleged mascot.

In its most intense minutes , the film illustrates highly rock'n'roll sequences with Bill running his master Dubosc , or the pursuit of garbage truck with Sardou balloons background. Wuhu ! The most appalling is concentrated around the turtle , its aberrant romance with the dog through its sung numbers or entering " Harley Davidson ."

Fortunately, parents are there to mop ball . The same adult non- completion can breathe a little by finding Marina Fois , hostage movie with the usual petty resignation , and Franck Dubosc , who believes in him a little and there is an opportunity to be vaguely against employment . This is when the film gets closer to these two that the session gets a little consistency.

Everything else is a disconcerting void : the monologues of the dog, the pace and direction of the " gag " the child actor almost unpleasant. There is also the poor simply the rickety scenario ( spatial confinement in Paris and the kid are the only "events" in about 80 minutes) and bordering with inconsistency, the interventions of the secondary characters ( but here , depression and intrusive neighbor - in an adult film, it would be a contradiction in terms there , but are not there ) .

Overall Rating 24

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